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| 8th ART ANALYSIS AND INTERPRET: Grad Standard Artists: Selection Guide Start Here: http://www.artchive.com/ Renaissance and High Renaissance Masters THE ARTISTS ON THIS LIST INCLUDE THE MOST SIGNIFICANT NAMES IN WESTERN ART HISTORY. THOUGH THERE ARE HUNDREDS MORE FROM EVERY CULTURE AND CATEGORY. THE LIST OFFERS YOU SUFFICIENT CHOICES FOR ART ANALYSIS AND INTERPRETATION. ART STYLE AND PRESENTATION IN THE ART FORMS VARY FROM CENTURY TO CENTURY AND FROM GENERATION TO GENERATION. CREATIVE FORM AND EXPRESSION IS ALWAYS UNDERGOING CHANGE. High Renaissance Raphael, Sandro Botticelli, Leonardo da Vinci, Peter Rubens, Titian, Michaelangelo Romantic Art (Romanticism) Eugene Delacroix, Francisco Goya, Theodore Gericault French Realism Jean Millet, Gustave Courbet Dutch Old Masters and Flemish Masters Rembrandt van Rijn, Jan Van Eyck, Jan Vermeer, Franz Hals, Van Dyck Pre Modern Pioneer Artists, Impressionism and Post Impressionists http://artchive.com/ftp_site.htm Vincent Van Gogh, Paul Gauguin, Paul Cezanne, Mary Cassatt, Henri de Toulouse Latrec, Edgar Degas Famous Primitives (not formally trained) artists Henri Rousseau, (France) Grandma Moses, (American) Modern Symbolist Painters, Late 1800s to 1920-s http://www.pinkmeister.net/PMPweb/Wheaton/linkmod.htm http://www.artmagick.com/artist_list.asp?mode=0 Gustav Klimt, (Austrian, 1862-1918), Dante Gabriel Rossetti, (British, 1828-1882) Pierre Puvis de Chavannes, (French, 1824-1898); Alfons Mucha, (Czech, 1860-1939) William Bouguereau, (French, 1825-1905 The Nabis- - (Several Colorful and Designy Artists) who were inspired by the Post Impressionist Paul Gauguin Early Masters 20th Century Pablo Picasso, Henri Matisse, Juan Gris, Fernand Leger, Surrealism of the 20s and 30s of 20th Century Picasso surrealist period, Rene' Magritte, Salvadore Dali American masters Charles Russell, (Western) Frederick Remington (Western), George Innes, Grant Wood, Norman Rockwell, Georgia O'keefe |
VISUAL ELEMENTS
Line, Direction, Weight, Form or Shape, Color, Texture, Size, Space, Light, Tone
Line edges all forms and shapes, may occur alone; produces movements and textures
Direction indicates the direction and manner lines move
Weight the heaviness or thickness of a line from delicate to massive
Form defines an object or shape. Form may denote ""mass"" a 3d form.
Color Defines any Hue, colors we name, primary, secondary tints, etc.
Texture defines both natural patterns of line or tactile roughness or smoothness
as well as patterns created by drawing or painting tools
Size is the reference to the amount of space occupied by an element.
Space the area occupied by the elements 2dimension or 3 dimensional.
2Dimensional Space has the appearance of flatnes; 3Dimensional has the appearance of depth of perspective or modeling of form to appear to have mass.
Light defined as illumination from a light source will influence modeling and cast shadows.
Tone Tonality or Value; is any effect of shadow, values, dark, light, or shading. All colors also has relative tone.
DESIGN ELEMENTS:
Movement (direction) , Rhythm, Repetition, Contrast, Variety, Unity, Emphasis, Tension, Similarity.
Movements the directions the line or edges move through a space.
Rhythm are the effect of repeated similar line movements or similar shapes.
Repetition refers to repeating any element, see above list.
Contrast differences found comparing any single element. Such as contrast of
DESIGN TERMS CONTINUED
"colors" red contrasts with black.... texture: rough contrasts with smooth.
Variety expresses numbers or differences, different kinds of elements or content.
Unity expresses the appearance of oneness or harmony that every design requires. Emphasis is the effect of bringing some parts out or making prominent or dominant.
Integration is when parts appear to fit together and have a sense of oneness.
Tension results when elements do not fit harmoniously; but cause opposition or dissonance. Tension happens when line movement paths crash into another path
Similarity of elements is the main method of making the composition harmonize.
Harmony is the feeling of apparent correctness of having parts appear to belong together and to work together visually in a pleasant way. There is sufficient variety to cause the forms to be interesting and not boring but not so same and unvaried as to become boring.