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	   OUTDOOR DRAWING ASSIGNMENT - - DAY #2  
        2 Drawings - - each on one 9x12 sheet  
        Use a compositional border (Margin)  
        Use viewfinder to select compositional boundaries  
        CREATIVE EMPHASIS - -  
        Macro Subject selection: You will be looking for subject that applies 
        to these constraints (parameters): What is a Macro selection? Making a 
        composition out of a small subject - - blowing it up TO FIT your compositional 
        space. In ordinary language you will be blowing up a small area.  
         
       OUTDOOR DRAWING ASSIGNMENT - - DAY #3  
        2 Drawings - - each on one 9x12 sheet  
        Use a compositional border (Margin)  
		Use viewfinder to select compositional boundaries  
        CREATIVE EMPHASIS - -  
        Near to Far Composition Using your viewfinder select a view that uses 
        objects that are very close to frame and contrast with forms that are 
        distant: in ordinary language - - you will be viewing a nice arrangement 
        that includes very close forms as well as distant forms. Near forms can 
        make a frame to view distant forms.  
      OUTDOOR DRAWING ASSIGNMENT - - DAY #4  
        2 Drawings - - each on one 9x12 sheet  
        Use a compositional border (Margin)  
        Use viewfinder to select compositional boundaries  
        CREATIVE EMPHASIS - -  
        Tonal and Textural Rendering Select a subject that has distinct tone or 
        textures - - ”paint in” dark, middle, and light values using pencil tone. 
        In ordinary language - - you will create compositions using areas of white, 
        gray and black within your picture frame.  
      OUTDOOR DRAWING ASSIGNMENT - - DAY #5  
        2 Drawings - - each on one 9x12 sheet  
        Use a compositional border (Margin)  
        Use viewfinder to select compositional boundaries  
        CREATIVE EMPHASIS -- 
        Interpreting detail Select a subject that has a wealth of detail Interpret 
        detail with a particular visual shorthand  
        HINT – Don’t let an abundance of detail short circuit your brain and drawing. 
        (So that scribbles take the place of inter-pretation). Interpret detail 
        one step, one mark at a time. In ordinary language - - Use a kind of visual 
        shorthand = descriptive shapes that can be used to interpret detail and 
        textures. Example: Tiny circles , lines, and shapes interpret detail: 
        Term: Stylized images. 
        
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