Art 2
Color and Painting Series
Choose from the assignments
below.
Abreviated
flat colors, use only mixed colors,
mix on palette: The approach is the mapped
spaces approach: Option 1: Try to find a color mixture that
is approximate to the area in your photo source. Option 2: Mix colors
creatively, colors must be mixed but may be interpretive and non
realistic. Advanced: Invent your own
composition rather than use a photo source.
Colored Line as Detail -
Create a variety of production for 3 or more days
to a week. Interpret
pictures or invent pictures which feature rich detail.
Detail is descriptive, small and interesting it is secondary
breakup. (inside of the main forms of the picture.)
Skills
and Method: You will use a fine pointed brush and a palette
and pure bright colors. Use tempera paint which
is bright, colorful and opaque. Apply concentrated amounts of detail
in color. Use more varieties of color. Do not think in terms of realism
which would limit color choices. Emphasize line and textures. You
may suggest textures by using small dots, lines, small circles, etc.
Do not attempt fill
areas with solid color - Do not try to make colors realistic.
Composition/Design:
Include numerous forms in your visual content (Object with setting.)
HINT:
Do not try to fill a large picture with tiny detail
(Too much labor and time
would be required.) The picture size will probably
work best at 9x12
Time:
It is easy to do more than one a day. But work with this method
for at least 3 days. Therefore if you finish early repeat the
technique again with new subjects and variations for extra credit, trying
to be more creative, often the best work comes with more practice and more
freedom to express "creative play."
Artists:
See Van Gogh, Matisse, Vlaminch, Dufy, Fauvism
Still life interpretation: Abstract Version
Skills
and Method: Still life painting. Semi Abstract: 4 to 5 Days
Interpret a still life display
using abstraction methods. Applying color with control, Painting
in areas of solid or graded color tones
Abstraction
methods: Observe and then reinterpret the forms in this design.
Use any of the following methods of abstraction: Overlapping, Transparency,
Lines of symmetry,or faceting> I will give you a handout or
show examples to explain these methods.
Medium:
Blended tempera or poster color. Use palette, Color mixing skills, etc.
Composition/Design:
Composing and drawing skills; Compose your own still life grouping.
Achieve an interesting breakup of the picture space, considering size varieties,
contrasts, rhythms, movements etc. Plan a color harmony allowing compatible
colors, color contrasts and variety. Mix color blends
or tones using a palette.
Size
of painting: 18x24 with border or 16x20 (trimmed size)
Design
Ideas: Color harmony should be planned, consider a dominant color
and color contrasts.
Time:
4 days Artists: Picasso, Braque,
Gris
Still life, Realistic:
Organize a very simple
still life group, but still consider size, shapes, colors, light, size
and textures.
Skills:
Use
the same skills as described above, But you will be achieving true life
appearance using outline and tone and color.
Size:
Size
12x16 or 11x14.With border of 1-1.5 inches
Art
Media, Acrylic paint use palettes to blend color
Time:
No more than one week maximum, That means.225minutes--3 3/4 hours.
Life Drawing (modeled human or other living forms)
Use
Limited Palette.
General
Assignment Idea:
Emphasize the body as 3dimensional mass. Use Light and shadow, illuminate
human forms, draw them as large as possible inside the given picture size.
Color
Idea: 4-color palette:
( Limited color) black, white and any 2 hues:- -
Acrylic Paint on Tag bd.
Skills
and Design: emphasize the masses of the body and the light and
shadows illuminating the body. Suggest a 3d environment though it may be
simple. Pose figures or use photos as model source. Do not match color
for realism, (obviously because of palette restriction)- - emphasize
mass and tone, light and shadow.
Size:
11x14 or 12x16 Time: 3 class days. You should aim for
1 or more complete figure poses a day.< Adapt your method to match time
constraint.>
5.
Serendipitous Water Color/ and/ or / Wash Techniques:
General
assignment: Use transparency and wet in wet effects which express
fluidity and spontaneity with the medium. Do not overwork any of
the color areas. The accidental of serendipitous quality of wet in wet
is such that you can not always predict it try to allow for these effects
to happen on their own and do not rework that which happens in a
spontaneous fresh way.
Medium:
Water Color transparency happens with adding water to the paint until it
is very fluid. Though tempera or poster color is considered an opaque and
not a transparent medium, it still gives nice effects when very fluid.
It is not quite as good for transparent washes as water color tubes or
water color cakes.
Water color from tins must
never be used heavy or thick except very rarely for accents or detail touches.
Subject
matter: It is up to your imagination to supply images to fit
the accidental wash images. See Teacher examples. Select
a subject that you are inspired to describe after doing a little experimenting
with serendipity.
Technique
and Hints: The wash blends are very effective to suggest
many things; foliage, storms, seas, fur, flowers, etc. Use additional
drawing, small details and any necessary colors to complete the images
you discover after the splash pieces are done.
Size:
Any size up to 11x14 inches. Even miniatures work beautifully. Use heavy
drawing paper or watercolor paper.
Time:
On day one to make a series of wet in wet serendipitous experiments, additional
day or two to follow up day to clarify and complete with detail touch
ups. Do two of these or more in 1 week's time.
Wash sketches
Life Drawing "Studies", with added pen detail:
General
Instructions
and Technique: Capture the essential human figure pose
with Visual shorthand, Work with a light wash from watercolor or tempera
as in 5 above, you are to complete gesture drawing of human figures in
natural action poses: HINT: Use any neutral color (like blue
and brown together). Use only fluid washes, no heavy application of paint.
Do not "cross out" any imperfect sketches. Try to improve your skills while
you work with a brush and wash method. Consider this a practice and skill
building assignment. Not many people have a good sense of figure
proportion so it is advisable that you review figure drawing proportion
with a guide sheet from your teacher. Some of these may be from pictures
but be sure that the majority or from real life models.
Design:
Use a montage or multi image per page approach. They should have
the appearance of practice or "studies" or practice works but they should
still be done sensitively and caringly. Please consider size variation
and position of the images
Page
size: 9x12 or 12x16 inch Drawing paper.
Time:
You will work with wash and pen for 3 days or until you have a minimum
of six pages of studies
Surrealism (Fantasy Images):
Surrealism is a highly
realistic representation of irrational or fantasy forms and images.
Personal symbols combine with dreamlike irrational images. Juxtapose forms
not normally associated together. Surrealism suggests deep psychological
content.
Hints:
Try
juxtaposing (using closely together) size and scale for unique fantasy
effects - switch large things and small in context with each other. Try
substituting (juxtaposing) qualities of two objects. e.g. fur and metal<<<
Swith surface qualities for surprise effects>>>
To understand the idea of
irrational > Look up Magritte: or Salvador Dali or "Surrealism".
To understand the concept of pure visual texture look up, Kandinsky.
Make thumbnail sketch before you proceed.
Medium:
Acrylic on canvas tablet Size: up to 16x 20
Artists to Look up Magritte:
or Salvador Dali or "Surrealism". To underastand the concept of pure
visual texture look up, Kandinsky.
Blending
Oil pastels.
Drawing
directly and mixing color with oil pastels. "CrayPas" crayons.
Imagination and composition
is the key. Play with colors and images. Release your ability to create
spontaneously with every day crayon like media. One thing about craypas.
They can be blended like chalk using the finger or tissues. They also respond
in a very interesting way to paint thinner. Which you will have to use
with caution because of the flammable properties.
Time:
Use
craypas for 3 days or more if you get to like it.
Size
and Subject limitation: Your choice.
Self Portrait, Interpretive.
I will supply you with a
digitized image of yourself. It will have your features mapped out in 8
posterized colors. You will select your 8 color harmony to complete
it. I will digitize each of your faces at some stage early in the quater.
Use the opaque projector to get an exact tracing of the image and then
you paint with Acrylic.
Blends of Colored Pencil,
Use colored pencils to interpret
photos- subjects you find interesting. Let the colored pencils suggest
a technique and quality which is natural to the medium. Colored pencils
are not like paint or craypas but express a unique quality of their own.
Most beginners never think of blending colored pencil together. This is
the way to go mix many colors within an area to define tonal and color
blend effects.
Size:9x12
on drawing paper.
Subject:
Your
Choice
Time:
One
or two pictures a day.
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